The saxophone is not an instrument usually associated with Pakistani music. And Pakistanis are not especially famous for collaborating with Norwegians. But that is what listeners have on this incredible recording. The music is predominantly Pakistani in sound, tonality, and structure; voice, sarangi, and tabla improvise along with Garbarek's saxophone on every track. For aficionados of Indian or Pakistani music, this is a great recording; Garbarek's lines are right in step with the traditional styles of improvisation. Listeners unacquainted with these traditions will find this recording a mesmerizingly exotic disc. Those familiar with Garbarek's work will be very surprised. This is a completely unique recording for him; one can only hope that he makes further explorations in this vein. ~ Mark W.B. Allender, All Music Guide
One of the best albums of Pakistani (North Indian) classical music combined with Jan Garbarek's Norwegian jazz. The Pakistani vocalist is Ustad Fateh Ali Khan, NOT Ustad Nusrat Fateh Ali Khan. I know the same names are confusing. Ustad Fateh Ali Khan is a big name in Classical Music in Pakistan. He's been performing ever since I can remember, watching him on late night tv. Nusrat Fateh Ali Khan who is popular in the west as well was basically a Qawwal. The two genres of music are totally different. [Amazon.com, it might be a good idea to put a note up regarding this confusion.] Im surprised how people cant pick the difference between the two singers' voices. Two of the tracks also feature Deepika Thataal's voice. She has been a classical music student of Ustad Fateh Ali. She also has two of her own albums of Norwegian rock/techno fused with Pakistani folk and classical tunes.
1. Raga I
2. Saga
3. Raga II
4. Raga III
5. Raga IV
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