Clarinetist David Krakauer is an accomplished performer and composer in classical music, jazz, and klezmer-based music. After completing his master's degree at Juilliard -- where he studied under Leon Russianoff -- Krakauer studied at Sarah Lawrence College and the Paris Conservatory. While in his early 20s, he had turned away from playing jazz to focus on his classical career. Krakauer went on to record for the Nonesuch, Xenophile, Eva, Opus One and CRI labels. He has played with the Philadelphia Orchestra, the Brooklyn Philharmonic, John Cage, the Kronos Quartet, and various other chamber music groups. Krakauer has performed many solo shows and given residency workshops through the Affiliate Artists program and the Concert Artists Guild. In the past, Krakauer has been a member of the clarinet and chamber music faculties of the Manhattan School of Music, the Mannes College of Music and Queens College. He has composed works for NewBand, the AIDS Quilt Songbook, as well as his own solo performances. A concert of particular note was his solo performance of Luciano Berio's famously difficult clarinet Sequenza for an audience that included Berio himself. Krakauer also performed with Itzhak Perlman for klezmer's debut on David Letterman.
In the '80s, Krakauer began playing klezmer for the first time (although he was raised in a musical home, he didn't hear klezmer as a child); this got him back into improvising, and soon he was composing a freestyle klezmer that combined traditional forms with a variety of jazz (even funk) influences, and explored the possibilities of the clarinet. A member of the Klezmatics through their first 3 albums, Krakauer went on to lead Klezmer Madness! which had two releases in the late '90s on the Tzadik label. ~ Joslyn Layne, All Music Guide
ABOUT THIS ALBUM:
David Krakauer's Klezmer Madness sits on the edge of the Klezmer tradition and is always jabbing at its boundaries. The music is always a little bit more unbridled, a bit more passionate, and a tad more discordant than your bubbe's klezmer records, which is not to say that it falls into the same camp as other punk, pop, or jazz-oriented groups that treat klezmer like a quaint novelty. Krakauer, with his virtuoso clarinet playing and incredibly tight and talented backing band, always shows respect for the heart of klezmer music -- these songs orbit around a pure core. The only tune which truly journeys out into left field is "Living With the H," which deconstructs and reassembles the ubiquitous classic "Hava Nagila," a song which almost begs to be messed with. The effect is not unlike a jazz band who can tip their hats to tradition without having to hash out another tired version of "My Foolish Heart." Krakauer has accepted that klezmer has never been a static form of music and has no problem imbuing his own sense of creativity into Klezmer Madness within the constraints of this classic style. ~ Stacia Proefrock, All Music Guide
TRACK LISTING:
1. Africa Bulgar - 3:43
2. Bogota Bulgar - 4:06
3. A Few Bowls Terkish - 4:37
4. At the Rabbit's Table - 5:14
5. Doina/Death March Suite - 10:32
6. Funky Dave - 5:53
7. The Ballad of Chernobyl - 5:19
8. Gong Doina - 2:19
9. Living With the H Tune - 6:03
10. Rachab - 1:27
FLAC 282MB | Part 1 | Part 2 | Part 3
MP3 320kbps 114MB | Part 1 | Part 2
Full scans included in both archives
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